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Blind and over one hundred years old at the time of her interview, was born into slavery in Black River, Louisiana. Her master, a physician and planter, was a shrewd speculator who frequently traded his older slaves for younger, more fit hands. Reynolds witnessed brutal beatings, and tells of working in weather so cold that her hands bled. Her master had a number of children with a mulatto slave, and his wife threatened to leave him. After the war, Mary Reynolds moved to Texas, where she remained for the rest of her life. "My paw's name was Tom Vaughn and he was from the north, born free man and lived and died free to the end of his days. He wasn't no eddicated man, but he was what he calls himself a piano man. He told me once he lived in New York and Chicago and he built the insides of pianos and knew how to make them play in tune. He said some white folks from the south told he if he'd come with them to the south he'd find a lot of work to do with pianos in them parts, and he come off with them. |
"He saw my maw on the Kilpatrick place and her man was dead. He told Dr. Kilpatrick, my massa, he'd buy my maw and her three chillun with all the money he had, iffen he'd sell her. But Dr. Kilpatrick was never one to sell any but the old niggers who was part workin' in the fields and past their breedin' times. So my paw marries my maw and works the fields, same as any other nigger. They had six gals: Martha and Pamela and Josephine and Ellen and Katherine and me. "I was born same time as Miss Sara Kilpatrick. Dr. Kilpatrick's first wife and my maw come to their time right together. Miss Sara's maw died and they brung Miss Sara to suck with me. It's a thing we ain't never forgot. My maw's name was Sallie and Miss Sara allus looked with kindness on my maw.
We sucked till we was a fair size and played together, which wasn't no common thing. None the other li'l niggers played with the white chillun. But Miss Sara loved me so good. "I was jus' bout big nough to start playin' with a broom to go bout sweepin' up and not even half doin' it when Dr. Kilpatrick sold me. They was a old white man in Trinity and his wife died and he didn't have chick or child or slave or nothin'. Massa sold me cheap, cause he didn't want Miss Sara to play with no nigger young'un. That old man bought me a big doll and went off and left me all day, with the door open. I jus' sot on the floor and played with that doll. I used to cry. He'd come home and give me somethin' to eat and then go to bed, and I slep' on the foot of the bed with him. I was scart all the time in the dark. He never did close the door.
"Miss Sara pined and sickened. Massa done what he could, but they wasn't no peartness in her. She got sicker and sicker, and massa brung nother doctor. He say, You li'l gal is grievin' the life out her body and she sho' gwine die iffen you don't do somethin' bout it.' Miss Sara says over and over, I wants Mary.' Massa say to the doctor, That a li'l nigger young'un I done sold.' The doctor tells him he better git me back iffen he wants to save the life of his child. Dr. Kilpatrick has to give a big plenty more to git me back than what he sold me for, but Miss Sara plumps up right off and grows into fine health. "Then massa marries a rich lady from Mississippi and they has chillun for company to Miss Sara and seem like for a time she forgits me.
"Massa Kilpatrick wasn't no piddlin' man. He was a man of plenty. He had a big house with no more style to it than a crib, but it could room plenty people. He was a medicine doctor and they was rooms in the second story for sick folks what come to lay in. It would take two days to go all over the land he owned. He had cattle and stock and sheep and more'n a hundred slaves and more besides. He bought the bes' of niggers near every time the spec'lators come that way. He'd make a swap of the old ones and give money for young ones what could work.
"He raised corn and cotton and cane and taters and goobers, sides the peas and other feedin' for the niggers. I member I helt a hoe handle mighty onsteady when they put a old women to larn me and some other chillun to scrape the fields. That old woman would be in a frantic. She'd show me and then turn bout to show some other li'l nigger, and I'd have the young corn cut clean as the grass. She say, For the love of Gawd, you better larn it right, or Solomon will beat the breath out you body.' Old man Solomon was the nigger driver.
"Slavery was the worst days was ever seed in the world. They was things past tellin', but I got the scars on my old body to show to this day. I seed worse than what happened to me. I seed them put the men and women in the stock with they hands screwed down through holes in the board and they feets tied together and they naked behinds to the world. Solomon the the [sic] overseer beat them with a big whip and massa look on. The niggers better not stop in the fields when they hear them yellin'. They cut the flesh most to the bones and some they was when they taken them out of stock and put them on the beds, they never got up again.
"When a nigger died they let his folks come out the fields to see him afore he died. They buried him the same day, take a big plank and bust it with a ax in the middle nough to bend it back, and put the dead nigger in betwixt it. They'd cart them down to the graveyard on the place and not bury them deep nough that buzzards wouldn't come circlin' round. Niggers mourns now, but in them days they wasn't no time for mournin'.
"The conch shell blowed afore daylight and all hands better git out for roll call or Solomon bust the door down and get them out. It was work hard, git beatin's and half fed. They brung the victuals and water to the fields on a slide pulled by a old mule. Plenty times they was only a half barrel water and it stale and hot, for all us niggers on the hottes' days. Mostly we ate pickled pork and corn bread and peas and beans and taters. They never was as much as we needed. "The times I hated most was pickin' cotton when the frost was on the bolls. My hands git sore and crack open and bleed. We'd have a li'l fire in the fields and iffen the ones with tender hands couldn't stand it no longer, we'd run and warm our hands a li'l bit. When I could steal a tater, I used to slip it in the ashes and when I'd run to the fire I'd take it out and eat it on the sly.
Mary Reynolds continued...
Slaves Narratives - Emma Crockett
return to American Slavery Exhibit - Part 3
References:
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